Thursday, January 29, 2015

Embroidery

Embroidery is defined as the art of decorating cloth by using a sewing needle and thread. Embroidered patterns can be modeled on innumerable designs, including the forms of animals, plants, humans, or more abstract figures. Different types of fabric and embroidering threads may be used, as well as needles of various sorts and sizes.
The art of embroidery is accomplished through a defined number of stitch types and may accompany other materials like metal strips, pearls, beads, feathers, and sequins. Embroidery can be found on hats, coats, blankets, shirts, jeans, and socks, among others.



In Morocco, there are two general types of embroidery, that of Rabat and that of Fez. Rabat embroidery (terz rbati) is usually produced with a machine. This method is commonly used in Marrakech. Rabat embroidery made by hand is called lmessous while machine production is of two different sorts: lmkess has two or three kinds of pattern and costs 700-750 dirhams; and traditional takhrag, which has 10 to 12 patterns with colors and can cost from 600 to 1500 dirhams. The fabric used for this type of embroidery is called jim or kamkha and costs 80 dirhams/meter. By machine, a worker typically requires four to five days to fulfill an order; by hand, it can take between one and two months to prepare.



Produced in Meknes, Fez embroidery (terz lehssab) is only made by hand and can cost between 1000 dirhams and 4000 dirhams. The fabric used for Fez embroidery is called “la toile” and costs 40 dirhams/meter. There are two kinds of Fez embroidery, terz lehssab and peinture à l’aiguille. Terz lehssab is generally designed in green, takes a lot of time and is often very expensive. Peinture à l’aiguille (needle painting) above all seeks to represent figures. Needle painting is an ancient technique, known all over Europe. This type of embroidery was closest to painting in the nineteenth century. Its appearance is mostly due to the irregular use of stitches that overlap each other.
Point de croix (cross stitch) was introduced in Europe during the Middle Ages and widely disseminated during the Renaissance. By 1500, cross-stitch patterns circulated and typically presented floral themes, heraldic and religious subjects, and rich symbolism, including crosses, chalices and doves. Cross stitch was still taught in schools until World War II.
Other types of embroidery available in Morocco are more recent, including Turkish embroidery (prepared in Casablanca and only on djellabas and caftans) and zemmouri embroidery, made in Casablanca and Marrakech.
Fabrics often used include silk, wool, cotton, linen, fine metal gold or silver thread, and more recently, synthetic filaments. Variation in surface textures and embossed patterns can be created through padding. Some types of embroidery are defined by the nature of the thread used (for example, wool embroidery using wool on combed linen). Other styles are defined by the nature of the base material used, such as embroidery gauze, openwork embroidery (done on fabric having the appearance of a net) and embroidery on canvas. Some techniques of embroidery allow for the addition of various decorative items, including beads or sequins.


Embroidery thread is generally manufactured in cotton, rayon, and novelty yarns, as well as in silk, wool, and linen. There are two general kinds of thread, sabra and lmabroum (from Spain). Surface embroidery techniques, including chain stitch and laid work, are the most economical in terms of thread.


Owners of embroidery boutiques typically get their products from 20 to 40 professional women who embroider fabrics. Before beginning their work, these women usually draw on fabrics by using a tool called (lemrema) that facilitates the labor. Embroidery can have negative effects on women’s health, starting with the eyes, the back as well as the ever-present danger of needle injuries while working.


Moroccans are the biggest customers for this handicraft, because embroidered clothing is traditionally worn in a number of ceremonies, including weddings and circumcisions. For their part, tourists generally buy tablecloths and other meal-presentation fabrics as souvenirs.



Glossary
Douda lhrir: silk worm
Gharja: stitch, a loop of thread or yarn resulting from a single pass of the needle in sewing, knitting, or crocheting
Ghzal: yarn
Hrir: silk
Jim and Kamkha: types of fabric
Ktan: linen
Lemrema: a tool of embroidery
Lmkess: a type of Rabat embroidery
Ltartar: sequins, small, shiny disks sewn onto clothing for decoration
Sabra: a kind of thread
Souf: wool
Terz: embroidery, also known by the French term, broderie

- Compiled and composed by Aimad Abounnasser, Youssra Jaafari, and Rabab Rahhali